I see editing as both architecture and alchemy—building structure while transforming raw footage into something alive. Over the past decade, I’ve navigated the quiet rhythms of vérité, the density of archival storytelling, and the pulse of multi-platform projects for PBS, TIME Studios and the festival circuit. Whether deep in the fine-grain work of assistant editing or shaping the emotional spine of a film, I aim to craft stories that feel honest, layered, and impossible to forget.